{"id":13219,"date":"2025-10-31T10:13:33","date_gmt":"2025-10-31T09:13:33","guid":{"rendered":"https:\/\/www.forbes.be\/fr\/?p=13219"},"modified":"2025-10-31T10:13:33","modified_gmt":"2025-10-31T09:13:33","slug":"fondation-cartier-une-machine-a-voir-democratique","status":"publish","type":"post","link":"https:\/\/www.forbes.be\/fr\/fondation-cartier-une-machine-a-voir-democratique\/","title":{"rendered":"Fondation Cartier : une \u00ab machine \u00e0 voir \u00bb d\u00e9mocratique"},"content":{"rendered":"

\u00c0 Paris, la Fondation Cartier inaugure son nouveau vaisseau, dirig\u00e9 par le Belge Chris Dercon.<\/strong><\/p>\n

Chris Dercon<\/strong> l\u2019affirme : \u00ab la Fondation Cartier pour l’art contemporain<\/a>, fait figure d\u2019exception dans le biotope de ces fondations<\/strong> en France (Vuitton, Pinault Collection, Lafayette Anticipations, Pernod Ricard, etc.) et en Europe. Depuis le d\u00e9but, la collection propose un dialogue entre disciplines : artistes, designers, architectes, cr\u00e9ateurs de sons, scientifiques, penseurs. Notre \u00ab\u00a0Exposition g\u00e9n\u00e9rale\u00a0\u00bb inaugurale, la plus vaste en 41 ans d\u2019existence, pr\u00e9sente 600 \u0153uvres sur les 4 500 r\u00e9unies depuis 1984. Elle s\u2019inscrit dans la filiation des grands salons du XIXe si\u00e8cle pr\u00e9sentant des cr\u00e9ations de toute nature, de la sculpture \u00e0 la mode, du dessin au design<\/em> \u00bb.<\/p>\n

L\u2019exposition<\/strong> se d\u00e9cline en quatre chapitres : un laboratoire architectural \u00e9ph\u00e9m\u00e8re (\u00ab\u00a0Machines d\u2019architecture\u00a0\u00bb), une r\u00e9flexion sur les mondes vivants (\u00ab\u00a0\u00catre nature\u00a0\u00bb), une exp\u00e9rimentation des mat\u00e9riaux et des techniques (\u00ab\u00a0Making Things\u00a0\u00bb), et des r\u00e9cits prospectifs m\u00ealant science, technologie et fiction (\u00ab\u00a0Un monde r\u00e9el\u00a0\u00bb). Grazia Quaroni, co-curatrice de la collection, qualifie cette approche de \u00ab d\u00e9mocratique \u00bb.<\/p>\n

\"Vue
Vue d\u2019exposition. Fondation Cartier pour l\u2019art contemporain, 2025. Photo \u00a9 Cyril Marcilhacy<\/figcaption><\/figure>\n

Dispositif in\u00e9dit<\/h2>\n

\u00c9difi\u00e9 en 1854 pour le Grand H\u00f4tel du Louvre \u00e0 l\u2019occasion de l\u2019Exposition universelle. devenu Grands Magasins du Louvre entre 1887 et 1974, site du Louvre des Antiquaires entre 1978 et 2019, l\u2019\u00e9difice ach\u00e8ve sa mue avec l\u2019architecte Jean Nouvel<\/strong>. Ses fa\u00e7ades vitr\u00e9es de baies de 7 m par 3 m lui donnent sa transparence. Pour accueillir toutes ces formes d’art<\/strong>, une nef de 85 m de long, 13 m de large, 11 m de haut, offre un volume dot\u00e9 de cinq plateformes en acier mesurant entre 200 et 363 m2 et pesant 250 tonnes, mobiles et modulables sur 11 niveaux, d\u00e9ployant 8 500 m2 de surfaces dont 6 500 m2 d’espaces de monstration. Ce dispositif in\u00e9dit qui permet de transformer l’espace \u00e0 chaque exposition<\/strong>, ouvert sur les rues de Rivoli, Saint-Honor\u00e9, de Marengo et sur la place du Palais-Royal compose une \u00ab machine \u00e0 voir \u00bb, conclut Chris Dercon<\/strong> : \u00ab Cet espace offre des configurations plurielles, au gr\u00e9 des commissaires, des artistes et des th\u00e9matiques<\/em> \u00bb. Ainsi, sur un m\u00eame niveau, le mur textile d\u2019Olga de Amaral, Muro en Rojos, derni\u00e8re acquisition de la Fondation, dialogue \u00e0 distance avec les Belges Agn\u00e8s Varda et son chat perch\u00e9, L\u2019arbre de Nini (2019), et Panamarenko avec Panama, Spitzbergen, Nova Zemblaya (1996).<\/p>\n

www.fondationcartier.com<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

\u00c0 Paris, la Fondation Cartier inaugure son nouveau vaisseau, dirig\u00e9 par le Belge Chris Dercon. Chris Dercon l\u2019affirme : \u00ab la Fondation Cartier pour l’art contemporain, fait figure d\u2019exception dans le biotope de ces fondations en France (Vuitton, Pinault Collection, Lafayette Anticipations, Pernod Ricard, etc.) et en Europe. Depuis le d\u00e9but, la collection propose un […]<\/p>\n","protected":false},"author":27,"featured_media":13220,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":""},"categories":[63],"tags":[],"class_list":{"0":"post-13219","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-culture"},"acf":[],"_yoast_wpseo_title":null,"_yoast_wpseo_metadesc":"\u00c0 Paris, la Fondation Cartier inaugure son nouveau vaisseau, dirig\u00e9 par le Belge Chris Dercon.","auteur_traducteur":"","yoast_head":"\nFondation Cartier : une \u00ab machine \u00e0 voir \u00bb d\u00e9mocratique | Forbes Belgique<\/title>\n<meta name=\"description\" content=\"\u00c0 Paris, la Fondation Cartier inaugure son nouveau vaisseau, dirig\u00e9 par le Belge Chris Dercon.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, 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