{"id":17135,"date":"2026-05-10T17:12:42","date_gmt":"2026-05-10T15:12:42","guid":{"rendered":"https:\/\/www.forbes.be\/fr\/?p=17135"},"modified":"2026-05-10T17:12:42","modified_gmt":"2026-05-10T15:12:42","slug":"londe-de-lequilibre-a-casa-sanlorenzo","status":"publish","type":"post","link":"https:\/\/www.forbes.be\/fr\/londe-de-lequilibre-a-casa-sanlorenzo\/","title":{"rendered":"L\u2019onde de l\u2019\u00e9quilibre \u00e0 Casa Sanlorenzo"},"content":{"rendered":"

\u00c0 Venise<\/a>, Casa Sanlorenzo<\/a>, inaugur\u00e9e l\u2019an dernier par le grand constructeur italien de yachts<\/em>, propose Waves<\/em><\/a>, une onde de formes qui offre un ensemble d\u2019\u00e9quilibre et d\u2019\u00e9l\u00e9gance.<\/strong><\/p>\n

La Biennale de Venise<\/strong> est secou\u00e9e par la g\u00e9opolitique, notamment avec le maintien controvers\u00e9 du pavillon russe. Son pr\u00e9sident, Pietrangelo Buttafuoco, a d\u00fb rappeler que \u00ab la Biennale n\u2019est pas un tribunal, mais un jardin de paix \u00bb<\/em>, allusion aux Giardini o\u00f9 se dressent les pavillons nationaux de la manifestation.<\/p>\n

Waves, une conversation de formes \u00e0 Casa Sanlorenzo<\/h2>\n

\u00c0 l\u2019\u00e9cart du tumulte, la Fondation Sanlorenzo Arts<\/strong><\/a> organise sa premi\u00e8re exposition d\u2019\u0153uvres reli\u00e9e \u00e0 la Biennale de Venise<\/strong>, associant figures majeures pass\u00e9es et pr\u00e9sentes : Alexander Calder<\/a>, Lucio Fontana<\/a>, Fausto Melotti, avec des pi\u00e8ces jamais montr\u00e9es, ainsi que Tony Cragg<\/a> et Christine Safa<\/a>. Une conversation de formes aux \u00e9quilibres raffin\u00e9s, avec une pr\u00e9sence tactile rare.<\/p>\n

Sergio Risaliti, directeur du Museo Novecento<\/a> et co-commissaire de l\u2019exposition, souligne : \u00ab Ces artistes partagent une intuition radicale : la sculpture ne peut plus \u00eatre un objet statique. Avec le mouvement introduit par Calder, Fontana et Melotti, la forme mod\u00e8le l\u2019espace qu\u2019elle occupe. La mati\u00e8re devient instable, travers\u00e9e par des forces et des \u00e9nergies en transformation. \u00bb<\/em><\/p>\n

\"\"
\u00a9 DR<\/figcaption><\/figure>\n

Chez le Britannique Tony Cragg<\/strong>, l\u2019un des deux artistes vivants en dialogue avec eux, le marbre, le bronze ou l\u2019acier Corten marient la puissance de la mati\u00e8re \u00e0 la douceur de la courbe. Et chez la Fran\u00e7aise Christine Safa<\/strong>, des figures \u00e0 la limite du visible se dissolvent en champs atmosph\u00e9riques de couleur et de lumi\u00e8re.<\/p>\n

\u00ab La vague n\u2019est pas seulement un ph\u00e9nom\u00e8ne naturel, mais un mode de penser la r\u00e9alit\u00e9 \u00bb<\/em>, ajoute Cristiano Seganfreddo, co-commissaire. \u00ab L\u2019exposition offre au regard des langages artistiques diff\u00e9rents cr\u00e9ant un champ de r\u00e9sonances. Le visiteur n\u2019est pas face \u00e0 des objets fixes, mais \u00e0 un maillage de relations, d\u2019oscillations et de connexions. \u00bb<\/em><\/p>\n

L\u2019astrophysicienne Ersilia Vaudo Scarpetta<\/a> \u00e9largit ce champ de mutations avec ses \u00ab interf\u00e9rences \u00bb<\/em> textuelles. Elle \u00e9crit : \u00ab Les ondes ne sont pas qu\u2019un ph\u00e9nom\u00e8ne marin, mais le langage fondamental de l\u2019univers. Ce que nos sens per\u00e7oivent n\u2019est qu\u2019une infime partie de ce spectre de vibrations. \u00bb<\/em><\/p>\n

C\u2019est dans ce fragment de spectre que r\u00e9side la beaut\u00e9 de ces \u0153uvres en relation.<\/p>\n

Casa Sanlorenzo, lieu de convergence<\/h2>\n

Massimo Perotti, pr\u00e9sident de Sanlorenzo<\/strong><\/a>, constructeur de yachts<\/em>, est lucide : \u00ab Casa Sanlorenzo se veut un lieu de convergence non limit\u00e9 \u00e0 l\u2019art, englobant la culture, la technologie, la science, r\u00e9flexion transversale dont le monde a besoin. \u00bb<\/em><\/p>\n

\"\"
Massimo Perotti, pr\u00e9sident de Sanlorenzo \u00a9 DR<\/figcaption><\/figure>\n

Depuis quarante-trois ans, il con\u00e7oit et produit des bateaux. Le chiffre d\u2019affaires de Sanlorenzo Yachts<\/strong>, qu\u2019il a acquis en 2005, est pass\u00e9 de 30 millions \u00e0 un milliard d\u2019euros. Un nouveau bateau, objet unique et artisanal de pointe, cristallise \u00ab une somme d\u2019\u00e9motions, d\u2019exp\u00e9rience, de culture, et l\u2019art en fait partie \u00bb<\/em>. Il pr\u00e9cise : \u00ab Je ne dirais pas que le monde de l\u2019art influence ma main ou mon esprit, mais il nourrit l\u2019\u00e9laboration du brief<\/em> et le dialogue avec notre \u00e9quipe New Product Development<\/em>, d\u00e9di\u00e9e \u00e0 la cr\u00e9ation de nouveaux produits, avec nos architectes internes et des designers externes. Il se peut qu\u2019\u00e0 l\u2019avenir, des artistes prennent part \u00e0 la conception du bateau ou r\u00e9alisent une \u0153uvre plac\u00e9e \u00e0 bord. \u00bb<\/em><\/p>\n

En cr\u00e9ant la Fondation caritative Sanlorenzo et Sanlorenzo Arts<\/strong>, Massimo Perotti s\u2019est appuy\u00e9 sur la marque Sanlorenzo. Pourquoi ? \u00ab Parce que nos clients sont notre richesse. Le monde compte 300 000 grandes fortunes, dont 3 % acqui\u00e8rent des yachts, et nous construisons 70 des 1 200 yachts produits dans le monde. C\u2019est notre niche. La Fondation collecte donc des contributions de nos clients, actionnaires, fournisseurs et dirigeants, et la holding familiale double ces montants, consacrant 1 \u00e0 1,5 million d\u2019euros par an \u00e0 Sanlorenzo Arts. Le fonctionnement de la Fondation repr\u00e9sente un co\u00fbt annuel de 200 000 \u00e0 300 000 euros, et chaque \u00e9v\u00e9nement dispose d\u2019un budget sp\u00e9cifique financ\u00e9 par nous et nos sponsors. Ce club de clients aura sans doute de plus en plus de membres, nos r\u00e9alisations les attirant et enclenchant un cercle vertueux. \u00bb<\/em><\/p>\n

Artisanat, \u00eeles italiennes et Venice Climate Week<\/h2>\n

En 2026, Casa Sanlorenzo<\/strong> accueillera aussi deux expositions consacr\u00e9es \u00e0 l\u2019excellence artisanale de Venise, de la V\u00e9n\u00e9tie et du Luxembourg, lors de la biennale d\u2019artisanat Homo Faber in Citt\u00e0<\/em><\/a>, sous la direction de la Michelangelo Foundation for Creativity and Craftsmanship<\/a>.<\/p>\n

\"\"
\u00a9 DR<\/figcaption><\/figure>\n

Quant \u00e0 la Fondation caritative Sanlorenzo, elle soutient certaines des 36 \u00eeles mineures italiennes, \u00ab accueillant nos yachts en saison, mais d\u00e9sert\u00e9es hors saison \u00bb<\/em>. Ainsi, la Fondation finance un voilier avec trois cardiologues \u00e0 bord, qui consultent d\u2019\u00eele en \u00eele, soutient l\u2019acquisition de terres par des jeunes de Linosa et, \u00e0 Palmaria, participe \u00e0 la r\u00e9novation de la Batteria Semaforo.<\/p>\n

Enfin, Sanlorenzo<\/strong> participe de nouveau \u00e0 la Venice Climate Week<\/strong><\/a>, du 3 au 8 juin, en tant que partenaire fondateur de l\u2019initiative.<\/p>\n

Plus d\u2019informations :<\/strong> Casa Sanlorenzo<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

\u00c0 Venise, Casa Sanlorenzo, inaugur\u00e9e l\u2019an dernier par le grand constructeur italien de yachts, propose Waves, une onde de formes qui offre un ensemble d\u2019\u00e9quilibre et d\u2019\u00e9l\u00e9gance. La Biennale de Venise est secou\u00e9e par la g\u00e9opolitique, notamment avec le maintien controvers\u00e9 du pavillon russe. Son pr\u00e9sident, Pietrangelo Buttafuoco, a d\u00fb rappeler que \u00ab la Biennale […]<\/p>\n","protected":false},"author":27,"featured_media":17138,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":""},"categories":[1,63,18,62],"tags":[],"class_list":{"0":"post-17135","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-actualite","8":"category-culture","9":"category-luxe","10":"category-marche-de-lart"},"acf":[],"_yoast_wpseo_title":null,"_yoast_wpseo_metadesc":"\u00c0 Venise, Casa Sanlorenzo pr\u00e9sente Waves, exposition li\u00e9e \u00e0 la Biennale, entre sculpture, art contemporain, science, artisanat et culture du yacht.","auteur_traducteur":"","yoast_head":"\nL\u2019onde de l\u2019\u00e9quilibre \u00e0 Casa Sanlorenzo | Forbes Belgique<\/title>\n<meta name=\"description\" content=\"\u00c0 Venise, Casa 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R\u00e9dacteur en chef pendant 7 ans de la revue Pouvoirs Locaux, consacr\u00e9e aux politiques culturelles, il a publi\u00e9 huit ouvrages chez des \u00e9diteurs fran\u00e7ais et belges, dont deux romans, un essai consacr\u00e9 \u00e0 Orson Welles, et quatre livres d\u2019art. 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