{"id":20740,"date":"2026-10-30T07:42:52","date_gmt":"2026-10-30T06:42:52","guid":{"rendered":"https:\/\/www.forbes.be\/fr\/?p=20740"},"modified":"2026-10-29T14:58:47","modified_gmt":"2026-10-29T13:58:47","slug":"20740-2","status":"publish","type":"post","link":"https:\/\/www.forbes.be\/fr\/20740-2\/","title":{"rendered":"Le mois des galeries de Forbes"},"content":{"rendered":"

Trois adresses pour ce mois. \u00c0 Anvers, IBASHO<\/strong> associe Hitoshi Fugo \u00e0 une r\u00e9trospective de son ma\u00eetre Eikoh Hosoe. L\u2019Espace Odradek rassemble Michaux, Dotremont et d\u2019autres autour de l\u2019\u00e9criture as\u00e9mique<\/strong>. In Gate Gallery d\u00e9voile un \u00c9den recompos\u00e9 entre peinture, images num\u00e9riques et rebuts industriels.<\/strong><\/p>\n

Ibasho \u2013 Floating Around<\/em><\/h2>\n

\u00c0 Anvers, la galerie IBASHO<\/strong><\/a> pr\u00e9sente Floating Around<\/em>, sa deuxi\u00e8me exposition personnelle du ma\u00eetre Hitoshi Fugo<\/strong>, n\u00e9 en 1947. Ses \u0153uvres sont construites \u00e0 partir d\u2019images abstraites lib\u00e9r\u00e9es des notions de temps, de lieu et d\u2019objet, recomposant des images myst\u00e9rieuses. Cette s\u00e9rie, r\u00e9alis\u00e9e entre 1971 et 1997 \u00e0 Paris, New York, au Japon et ailleurs, lui a \u00e9t\u00e9 inspir\u00e9e par une photographie prise au hasard, repr\u00e9sentant des carpes nageant dans un aquarium, qui a fait resurgir des souvenirs des crises d\u2019asthme dont il souffrait enfant. \u00c0 travers la photographie, il a cherch\u00e9 \u00e0 recr\u00e9er ces images mentales fugaces. Pour Fugo, \u00ab la photographie n\u2019est pas simplement une copie de la r\u00e9alit\u00e9 \u00bb<\/em> et \u00ab ne se limite pas \u00e0 emprisonner les sujets dans le temps pr\u00e9sent \u00bb<\/em>, et elle devient un mode d\u2019expression litt\u00e9raire.<\/p>\n

\"\"
Eikoh Hosoe, Embrace #23 \u00a9 DR<\/figcaption><\/figure>\n

En parall\u00e8le, la galerie pr\u00e9sente une r\u00e9trospective Eikoh Hosoe<\/strong> \u2013 qui fut le ma\u00eetre de Fugo \u2013, intitul\u00e9e Sensei<\/em>. Hosoe (1933-2024) \u00e9tait l\u2019un des ma\u00eetres \u2013 sensei<\/em>, en japonais \u2013 de la photographie japonaise d\u2019apr\u00e8s-guerre. Apr\u00e8s sa premi\u00e8re exposition personnelle, An American Girl in Tokyo<\/em>, en 1956, d\u00e8s 1959, il s\u2019associe \u00e0 Sh\u014dmei T\u014dmatsu, Kikuji Kawada, Ikk\u014d Narahara, Akira Sat\u014d et Akira Tanno pour fonder l\u2019agence photographique ind\u00e9pendante VIVO \u2013 \u00ab vie \u00bb en esp\u00e9ranto. Ils ont ainsi engendr\u00e9 une photographie tr\u00e8s subjective et exp\u00e9rimentale.<\/p>\n

www.ibashogallery.com<\/a><\/p>\n

Les Unreadables<\/em> chez Odradek<\/h2>\n

L\u2019Espace Odradek<\/strong><\/a> offre aux artistes un lieu de cr\u00e9ation, notamment avec ses r\u00e9sidences qui favorisent les projets interdisciplinaires \u2013 arts visuels, po\u00e9sie, performance, musique, expression corporelle\u2026<\/p>\n

\"\"
Florian Kiniques, LEVRES \u00a9 DR<\/figcaption><\/figure>\n

Fran\u00e7ois de Coninck a imagin\u00e9 The Unreadables<\/em> en explorant l\u2019\u00e9criture dite as\u00e9mique<\/strong>, forme d\u2019art hybride qui fusionne le texte et l\u2019image, g\u00e9n\u00e9rant de libres associations de sens. Un choix d\u2019\u0153uvres modernes et contemporaines de G\u00e9rard Berr\u00e9by, Jacques Calonne, Christian Dotremont, Henri Michaux, Eug\u00e8ne Savitskaya, pour ne nommer qu\u2019eux, nous confronte \u00e0 la dimension physique de l\u2019\u00e9criture, \u00e0 son aspect proprement mat\u00e9riel. Les signes qui composent ces \u0153uvres sont des leurres : ils poss\u00e8dent tous les attributs et l\u2019attrait visuel de l\u2019\u00e9criture, mais sont d\u00e9pouill\u00e9s du sens qui leur est habituellement associ\u00e9. Ce sens, cette composante immat\u00e9rielle de l\u2019\u00e9criture, s\u2019\u00e9vapore litt\u00e9ralement sous nos yeux, selon un proc\u00e9d\u00e9 tr\u00e8s pr\u00e9sent dans l\u2019art belge du XXe si\u00e8cle.<\/p>\n

www.odradekresidence.be<\/a><\/p>\n

In Gate Gallery. Messages de l\u2019Eden<\/h2>\n

Olga Tobreluts, Irina Annina et Dmitry Bulnygin<\/strong> nous envoient des Notes from EDEN<\/em>, entre peinture, images num\u00e9riques et installations sculpturales, une r\u00e9flexion sur la fronti\u00e8re mouvante entre le monde naturel et le monde construit.<\/p>\n

Dans sa s\u00e9rie Transcoders<\/em>, Olga Tobreluts est partie d\u2019une imagerie figurative, transform\u00e9e en structures cod\u00e9es \u00e0 l\u2019aide d\u2019un logiciel de mod\u00e9lisation, puis a reconstitu\u00e9 ces formes sur toile, en recourant \u00e0 la peinture classique, cr\u00e9ant un langage visuel interm\u00e9diaire entre analogique et virtuel.<\/p>\n

Les paysages monochromes de la s\u00e9rie Alien Presence<\/em> d\u2019Irina Annina offrent des visions sobres inspir\u00e9es du mythe du paradis et construisent un \u00c9den cach\u00e9, \u00e0 l\u2019abri de la saturation d\u2019images qui nous assaille. Elle recourt au monochrome pour accentuer la r\u00e9sonance \u00e9motionnelle et m\u00e9taphysique de ces paysages d\u00e9pouill\u00e9s de couleur et de spectaculaire.<\/p>\n

Enfin, la s\u00e9rie sculpturale de Dmitry Bulnygin, \u00e0 partir de rebuts industriels, construit des formes florales entre croissance et d\u00e9composition, l\u2019organique et l\u2019artificiel devenant indissociables : les d\u00e9bris industriels se transforment en fragiles structures botaniques, et la nature elle-m\u00eame appara\u00eet artificielle, con\u00e7ue m\u00e9caniquement.<\/p>\n

www.ingategallery.com<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Trois adresses pour ce mois. \u00c0 Anvers, IBASHO associe Hitoshi Fugo \u00e0 une r\u00e9trospective de son ma\u00eetre Eikoh Hosoe. L\u2019Espace Odradek rassemble Michaux, Dotremont et d\u2019autres autour de l\u2019\u00e9criture as\u00e9mique. In Gate Gallery d\u00e9voile un \u00c9den recompos\u00e9 entre peinture, images num\u00e9riques et rebuts industriels. Ibasho \u2013 Floating Around \u00c0 Anvers, la galerie IBASHO pr\u00e9sente Floating […]<\/p>\n","protected":false},"author":27,"featured_media":20744,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"inline_featured_image":false,"image_verticale":0,"gif":0,"url_video":"","footnotes":""},"categories":[1,63,62],"tags":[],"class_list":["post-20740","post","type-post","status-publish","format-standard","has-post-thumbnail","category-actualite","category-culture","category-marche-de-lart"],"acf":[],"_yoast_wpseo_title":null,"_yoast_wpseo_metadesc":"\u00c0 Anvers et Bruxelles, trois expositions r\u00e9unissent photographie japonaise, \u00e9criture as\u00e9mique et art contemporain avec Hitoshi Fugo, Henri Michaux ou Olga Tobreluts.","auteur_traducteur":"","yoast_head":"\nLe mois des galeries de Forbes | Forbes Belgique<\/title>\n<meta name=\"description\" content=\"\u00c0 Anvers et Bruxelles, trois expositions 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R\u00e9dacteur en chef pendant 7 ans de la revue Pouvoirs Locaux, consacr\u00e9e aux politiques culturelles, il a publi\u00e9 huit ouvrages chez des \u00e9diteurs fran\u00e7ais et belges, dont deux romans, un essai consacr\u00e9 \u00e0 Orson Welles, et quatre livres d\u2019art. 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