{"id":20774,"date":"2026-10-31T17:27:02","date_gmt":"2026-10-31T16:27:02","guid":{"rendered":"https:\/\/www.forbes.be\/fr\/?p=20774"},"modified":"2026-10-31T17:27:02","modified_gmt":"2026-10-31T16:27:02","slug":"artissima-les-belges-a-turin","status":"publish","type":"post","link":"https:\/\/www.forbes.be\/fr\/artissima-les-belges-a-turin\/","title":{"rendered":"Artissima\u00a0: les Belges \u00e0 Turin"},"content":{"rendered":"

\u00c0 Turin, la 33e Artissima<\/a> accueillait 2 galeries belges, et un beau contingent d\u2019artistes de Belgique.<\/strong><\/p>\n

Cette ann\u00e9e, \u00e0 Turin, la foire Artissima<\/strong>, principale foire italienne d\u2019art moderne et contemporain, avait pris pour th\u00e8me Fancy: A Flexible, Acrobatic Body<\/em>, recherche autour de l\u2019imaginaire du corps inspir\u00e9e de la pens\u00e9e de la philosophe am\u00e9ricaine Martha C. Nussbaum<\/strong>.<\/p>\n

Deux galeries belges ont r\u00e9pondu pr\u00e9sentes. Le Bruxellois Olivier Meessen<\/strong> pr\u00e9sentait un stand centr\u00e9 autour d\u2019une figure de l\u2019arte povera<\/em> italien, Claudio Parmiggiani<\/strong><\/a>, avec une \u0153uvre de ses tout d\u00e9buts (1970), dans laquelle il trouva la formule de ses images inscrite sur la surface par l\u2019\u0153uvre de la fum\u00e9e. Un autre grand format plus r\u00e9cent (2018), silhouette blanche d\u2019une gr\u00e2ce sculpturale et fantomatique, illustrait toute la magie atteinte par cet artiste en plus d\u2019un demi-si\u00e8cle de carri\u00e8re. \u00ab J\u2019aime venir \u00e0 Artissima car on y re\u00e7oit beaucoup de curateurs et les visiteurs sont tr\u00e8s \u00e9clair\u00e9s \u00bb<\/em>, pr\u00e9cise le galeriste.<\/p>\n

<\/div>\n
\"\"
Un Parmiggiani magistral chez Olivier Meessen \u00a9 DR<\/figcaption><\/figure>\n

L\u2019autre Belge, la galerie Isabelle<\/strong><\/a>, cr\u00e9\u00e9e par Isabelle de Caters \u00e0 Duba\u00ef en 2006, consacre son stand \u00e0 un duo d\u2019artistes iraniens, Tirdad Hashemi<\/strong> et Soufia Erfanian<\/strong>. \u00ab Nous voici de retour \u00e0 Turin avec ce couple difficile \u00e0 montrer \u00e0 Duba\u00ef du fait de la situation g\u00e9opolitique. N\u00e9s en Iran, ils se sont rencontr\u00e9s \u00e0 Berlin, o\u00f9 ils habitent. Tirdad est transgenre et vit et travaille avec sa femme, Soufia. Cette s\u00e9rie que j\u2019expose \u00e0 Artissima, Les Fleurs, exprime les cycles de la nature f\u00e9cond\u00e9s par les rapports humains et l\u2019amour, engrais du renouveau, contre l\u2019adversit\u00e9. \u00bb<\/em> Ces \u0153uvres offrent des images de plantes et de fleurs flottants dans l\u2019espace, et des sc\u00e8nes repr\u00e9sentant les amis des artistes ou eux-m\u00eames y sont accol\u00e9es comme des fen\u00eatres intimes.<\/p>\n

<\/div>\n
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Les dessins du duo iranien chez Isabelle de Caters \u00a9 DR<\/figcaption><\/figure>\n

Au-del\u00e0 de ces deux galeries, plusieurs autres galeries internationales pr\u00e9sentaient des artistes belges<\/strong>. Ainsi, la Napolitaine Alfonso Artiaco<\/strong><\/a> r\u00e9unissait notamment trois de nos artistes : Johan Creten<\/strong>, nouveau-venu dans la galerie depuis 2025, Michel Fran\u00e7ois<\/strong>, qu\u2019elle expose depuis pr\u00e8s de dix ans et Ann-Veronica Janssens<\/strong>, qu\u2019elle accompagne depuis 2006. Galleria Continua<\/strong><\/a>, l\u2019une des majors europ\u00e9ennes, exposait une aquarelle de grand format de Hans Op De Beeck<\/strong>, Toon (Soap Bubble)<\/em>. Un enfant souffle une bulle de savon o\u00f9 la sc\u00e8ne se refl\u00e8te comme dans une vanit\u00e9, double sujet r\u00e9current dans l’histoire de l’art. Quant \u00e0 la galerie bolognaise P420<\/strong><\/a>, elle affichait une huile de grand format de Pieter Vermeersch<\/strong>, une s\u00e9rie o\u00f9 l\u2019artiste marie la toile et le marbre.<\/p>\n

Et la Belgique en Turquie<\/h2>\n

Enfin, un artiste belge, le gantois Stijn Ank<\/strong>, est all\u00e9 jusqu\u2019en Turquie \u00e9laborer ses totems moul\u00e9s \u00e0 la main, qui sont pr\u00e9sent\u00e9s par la galerie \u00d6ktem Aykut<\/strong><\/a>, bas\u00e9e \u00e0 Istanbul. Le duo de fondateurs Do\u011fa \u00d6ktem<\/strong> et Tankut Aykut<\/strong> l\u2019a rencontr\u00e9 \u00e0 Art Brussels<\/strong><\/a>, o\u00f9 il exposait.<\/p>\n

\u00ab Nous l\u2019avons expos\u00e9 \u00e0 Istanbul puis \u00e0 la Foire internationale de Paris. Et d\u00e9but octobre dernier, il a r\u00e9alis\u00e9 une \u0153uvre in situ pour la 10e Biennale de \u00c7anakkale. \u00bb<\/em><\/p>\n

Stijn Ank \u00e9claire son travail : \u00ab Je fabrique des moules, souvent en argile, et j\u2019y verse du pl\u00e2tre liquide. J\u2019y imprime les traces de mes doigts autour d\u2019une structure en fer, puis j\u2019enl\u00e8ve l\u2019argile, ce qui r\u00e9v\u00e8le le \u00ab n\u00e9gatif \u00bb de chaque empreinte digitale \u00bb.<\/em><\/p>\n

\"\"
Un totem de Stijn Ank \u00a9 DR<\/figcaption><\/figure>\n

Pourquoi cet attrait pour la Turquie ? \u00ab On y aborde l\u2019art davantage sous l\u2019angle de la po\u00e9sie que sous celui des objets. Le sens est plus ouvert, davantage ax\u00e9 sur la perception. Je le ressens fortement dans la galerie \u00d6kten Maykut, au contact des autres artistes expos\u00e9s. Je qualifie bon nombre des \u0153uvres pr\u00e9sent\u00e9es ici, que j\u2019ai commenc\u00e9es en 2006, de \u00ab corps \u00bb, \u00e0 l\u2019instar de \u201ccorps en devenir\u201d. \u00bb<\/em><\/p>\n

En effet, ses premiers moules \u00e9taient des objets trouv\u00e9s, des morceaux de bois, qu\u2019il juge r\u00e9trospectivement \u00ab assez statiques \u00bb<\/em>. Plus il avance, plus ses moules gagnent en dynamisme : \u00ab ils se d\u00e9forment au moment o\u00f9 je verse le pl\u00e2tre \u00e0 l\u2019int\u00e9rieur et d\u2019une certaine mani\u00e8re, les sculptures deviennent ce qu\u2019elles veulent \u00eatre. C\u2019est un parall\u00e8le avec ma vie. J\u2019\u00e9tais dans le moule des personnes qui me fa\u00e7onnaient, et aujourd\u2019hui je me sens plus libre\u2026 \u00bb<\/em><\/p>\n

www.artissima.art<\/strong><\/a>
\n30.10\u201301.11.2026<\/p>\n","protected":false},"excerpt":{"rendered":"

\u00c0 Turin, la 33e Artissima accueillait 2 galeries belges, et un beau contingent d\u2019artistes de Belgique. Cette ann\u00e9e, \u00e0 Turin, la foire Artissima, principale foire italienne d\u2019art moderne et contemporain, avait pris pour th\u00e8me Fancy: A Flexible, Acrobatic Body, recherche autour de l\u2019imaginaire du corps inspir\u00e9e de la pens\u00e9e de la philosophe am\u00e9ricaine Martha C. […]<\/p>\n","protected":false},"author":27,"featured_media":20775,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"inline_featured_image":false,"image_verticale":0,"gif":0,"url_video":"","footnotes":""},"categories":[1,63,62],"tags":[],"class_list":["post-20774","post","type-post","status-publish","format-standard","has-post-thumbnail","category-actualite","category-culture","category-marche-de-lart"],"acf":[],"_yoast_wpseo_title":null,"_yoast_wpseo_metadesc":"\u00c0 Artissima 2026, \u00e0 Turin, les galeries belges et les artistes de Belgique se distinguent, de Claudio Parmiggiani \u00e0 Hans Op de Beeck et Stijn Ank.","auteur_traducteur":"","yoast_head":"\nArtissima\u00a0: les Belges \u00e0 Turin | Forbes Belgique<\/title>\n<meta name=\"description\" content=\"\u00c0 Artissima 2026, \u00e0 Turin, les galeries belges et les artistes de Belgique se distinguent, de Claudio Parmiggiani \u00e0 Hans Op de Beeck 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