{"id":8516,"date":"2025-02-04T16:26:54","date_gmt":"2025-02-04T15:26:54","guid":{"rendered":"https:\/\/www.forbes.be\/fr\/?p=8516"},"modified":"2025-02-05T11:33:16","modified_gmt":"2025-02-05T10:33:16","slug":"brafa-splendide-maturite","status":"publish","type":"post","link":"https:\/\/www.forbes.be\/fr\/brafa-splendide-maturite\/","title":{"rendered":"BRAFA\u00a0: Splendide maturit\u00e9"},"content":{"rendered":"

Date majeure qui ouvre le bal des foires mondiales, la <\/strong>BRAFA 2025 franchit la barre des 70 ans et des 72 000 <\/strong>visiteurs.<\/strong><\/p>\n

En cette premi\u00e8re \u00e9dition pr\u00e9sid\u00e9e par l\u2019antiquaire Klaas Muller<\/strong>, (tableaux, dessins et sculptures des XVI<\/span>-XVIII<\/span>e<\/span> si\u00e8cles), la BRAFA<\/a> se r\u00e9\u00e9quilibre vers des domaines moins repr\u00e9sent\u00e9s, occupant ainsi des segments qui se r\u00e9v\u00e8lent fructueux. Arnaud Jaspar Costermans<\/strong> est galeriste d\u2019art ancien<\/strong> au Sablon, membre du conseil d\u2019administration rajeuni (vice-pr\u00e9sident antiquit\u00e9s & ma\u00eetres anciens, sp\u00e9cialiste des tableaux anciens, du mobilier et des objets des XVI<\/span>e<\/span> au XVIII<\/span>e<\/span> si\u00e8cles). <\/span><\/p>\n

\"\"
\u00a9 Klaas Muller<\/figcaption><\/figure>\n

En cette premi\u00e8re ann\u00e9e du nouveau conseil, il s\u2019est particuli\u00e8rement consacr\u00e9 \u00e0 la BRAFA<\/strong>, qui a plusieurs atouts : \u00ab c\u2019est l\u2019une des plus longues, et la premi\u00e8re major du calendrier europ\u00e9en, fin janvier : \u00e0 cet \u00e9gard, elle demeure pour le reste des foires, un barom\u00e8tre tr\u00e8s observ\u00e9<\/em>, pr\u00e9cise-t-il. Nous l\u2019avons analys\u00e9e en d\u00e9tail, en visant l\u2019harmonie entre les 17 domaines. Ainsi, les sp\u00e9cialit\u00e9s et sections comme le cabinet de curiosit\u00e9, l’art asiatique, la porcelaine, la c\u00e9ramique, l\u2019art m\u00e9di\u00e9val, les arts islamique et pr\u00e9colombien, le design moderne et contemporain ont \u00e9t\u00e9 \u00e9toff\u00e9es. Et nous avons internationalis\u00e9 en attirant des galeries de Suisse, \u00c9tats-Unis, Royaume-Uni ou Scandinavie. Plusieurs ont annonc\u00e9 leur retour l\u2019an prochain, signe que la BRAFA<\/strong> leur est propice.<\/em> \u00bb\u00a0<\/span><\/p>\n

\"\"
\u00a9 Colnaghi\/DR<\/figcaption><\/figure>\n

On citera Colnaghi<\/strong> (Londres, Bruxelles, Madrid et r\u00e9cemment Bruxelles), DYS44 Lampronti<\/strong> (Londres) et Valerio Turchi<\/strong> (Rome).\u00a0 \u00ab La client\u00e8le est europ\u00e9enne, d\u2019abord belge, puis des pays limitrophes, Royaume-Uni, Allemagne, France, Pays-Bas, Luxembourg<\/em> \u00bb souligne encore Arnaud Costermans<\/strong>. La fr\u00e9quentation italienne \u00e9tait en hausse gr\u00e2ce \u00e0 des marchands r\u00e9put\u00e9s de la P\u00e9ninsule. Autre signe de vitalit\u00e9, la foire attire nombre de jeunes collectionneurs, notamment gr\u00e2ce \u00e0 des exposants eux-m\u00eames trentenaires. Et, apr\u00e8s les saisies d\u2019objet intempestives de 2020, les relations avec le SPF se sont \u00e9claircies : \u00ab ils ont mesur\u00e9 le s\u00e9rieux de notre ‘<\/em><\/span>vetting’<\/span><\/i> [le contr\u00f4le pr\u00e9alable des objets par des experts ind\u00e9pendants, Ndlr].<\/span><\/p>\n

Bonne tenue belge<\/h2>\n

Dans un contexte de march\u00e9 compliqu\u00e9<\/strong>, les ventes<\/strong> ont \u00e9t\u00e9 \u00e9toff\u00e9es, signe de bonne tenue belge. Ainsi, Lemaire<\/strong> a r\u00e9alis\u00e9 des ventes de pi\u00e8ces en porcelaine de Meissen, Bruxelles, Tournai et Chine, allant jusqu\u2019\u00e0 40 000 \u20ac. D\u2019Arschot & Cie<\/strong> a re\u00e7u les visites de conservateurs du mus\u00e9e M de Leuven, des Mus\u00e9es royaux (Bruxelles), du Diva (Anvers) et du V&A (Londres), Didier Claes<\/strong> celles du Mus\u00e9e royal de l’Afrique centrale (Tervuren) et du pr\u00e9sident du mus\u00e9e du quai Branly-Jacques Chirac.\u00a0<\/span><\/p>\n

\"\"
\u00a9 DR\/H\u00e9l\u00e8ne Bailly<\/figcaption><\/figure>\n

L\u2019art belge<\/strong> a beaucoup s\u00e9duit. Oscar De Vos<\/strong> a c\u00e9d\u00e9 un \u00c9mile Claus sans doute plus d\u2019un million d\u2019euros. Thomas Deprez<\/strong> a vendu <\/span>L\u2019Humanit\u00e9<\/span><\/i>, sculpture imposante de Pieter-Jan Braecke (jadis expos\u00e9e dans l\u2019H\u00f4tel Aubecq, \u00e9difice sign\u00e9 Horta d\u00e9truit en 1949), \u00e0 un collectionneur<\/strong> extra-europ\u00e9en pour un montant \u00e0 six chiffres. Patrick Derom<\/strong> a \u00e9coul\u00e9 ses lavis d\u2019encre de chine de l\u2019admirable L\u00e9on Spilliaert, entre 150 000 et plus d\u2019un million d\u2019euros. Raf Van Severen<\/strong><\/span> a c\u00e9d\u00e9 un autre peintre belge d\u2019une gr\u00e2ce infinie, Gustave Van de Woestijne (<\/span>Adrienne De Zutter au violon<\/span><\/i>), \u00e0 un collectionneur \u00e9tranger entre 300 000 et 400.000 \u20ac. Samuel Vanhoegaerden<\/strong> d\u00e9diait la moiti\u00e9 de son stand \u00e0 une autre figure belge, James Ensor, avec plusieurs dessins et tableaux pour une valeur estim\u00e9e entre 50 000 \u20ac et 500 000 \u20ac. Maurice Verbaet<\/strong><\/span> a c\u00e9d\u00e9 <\/span>Mirage Marin<\/span><\/i>, de Louis Van Lint autour de 90 000 \u20ac et Harold t\u2019Kint de Roodenbeke<\/strong> un Pol Bury, <\/span>25 \u0153ufs sur un plateau<\/span><\/i>, 70 000 \u20ac. Parmi les trentenaires belges \u00e9voqu\u00e9s par Arnaud Costermans<\/strong>, citons Objects With Narratives<\/strong> : pour sa premi\u00e8re participation, cette galerie de design de collection a notamment c\u00e9d\u00e9 ses tables <\/span>Ex Hale<\/span><\/i> du Gantois Ben Storms<\/strong> autour de 65 000 \u20ac.<\/span><\/p>\n

www.brafa.art<\/span><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Date majeure qui ouvre le bal des foires mondiales, la BRAFA 2025 franchit la barre des 70 ans et des 72 000 visiteurs. En cette premi\u00e8re \u00e9dition pr\u00e9sid\u00e9e par l\u2019antiquaire Klaas Muller, (tableaux, dessins et sculptures des XVI-XVIIIe si\u00e8cles), la BRAFA se r\u00e9\u00e9quilibre vers des domaines moins repr\u00e9sent\u00e9s, occupant ainsi des segments qui se r\u00e9v\u00e8lent […]<\/p>\n","protected":false},"author":27,"featured_media":8525,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":""},"categories":[1],"tags":[66,64,65],"class_list":["post-8516","post","type-post","status-publish","format-standard","has-post-thumbnail","category-actualite","tag-belgique","tag-brafa","tag-marche-de-lart"],"acf":[],"_yoast_wpseo_title":null,"_yoast_wpseo_metadesc":"Date majeure qui ouvre le bal des foires mondiales, la BRAFA 2025 franchit la barre des 70 ans et des 72 000 visiteurs.","auteur_traducteur":"","yoast_head":"\nBRAFA\u00a0: Splendide maturit\u00e9 | Forbes 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Belgique"},"image":{"@id":"https:\/\/www.forbes.be\/fr\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/forbesbelgique\/","https:\/\/www.instagram.com\/Forbes_Belgium","https:\/\/www.linkedin.com\/company\/forbes-belgium\/"]},{"@type":"Person","@id":"https:\/\/www.forbes.be\/fr\/#\/schema\/person\/ad1bb0e83419af89356b7b11a6622c80","name":"Johan-Fr\u00e9d\u00e9rik Hel Guedj","image":{"@type":"ImageObject","inLanguage":"fr-FR","@id":"https:\/\/secure.gravatar.com\/avatar\/65333543693434f2cc9fdefb3173b162df98712d00606b00b3d43914f79a1598?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/65333543693434f2cc9fdefb3173b162df98712d00606b00b3d43914f79a1598?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/65333543693434f2cc9fdefb3173b162df98712d00606b00b3d43914f79a1598?s=96&d=mm&r=g","caption":"Johan-Fr\u00e9d\u00e9rik Hel Guedj"},"description":"Johan-Frederik Hel Guedj est journaliste et auteur fran\u00e7ais. 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