{"id":9465,"date":"2025-03-28T12:10:23","date_gmt":"2025-03-28T11:10:23","guid":{"rendered":"https:\/\/www.forbes.be\/fr\/?p=9465"},"modified":"2025-04-01T10:21:59","modified_gmt":"2025-04-01T08:21:59","slug":"la-belgique-se-dessine-a-paris","status":"publish","type":"post","link":"https:\/\/www.forbes.be\/fr\/la-belgique-se-dessine-a-paris\/","title":{"rendered":"La Belgique se dessine \u00e0 Paris"},"content":{"rendered":"

\u00c0 Paris, les Belges de Bruxelles, Anvers et Li\u00e8ge se distinguent au Salon du Dessin et \u00e0 Drawing Now.<\/strong><\/p>\n

Huit galeries belges<\/strong> exposent au Salon du Dessin<\/a>, dans l\u2019ancienne bourse de Paris, au Palais Brongniart, et au Carreau du Temple, pour Drawing Now<\/a>, salon contemporain.
\nDans le premier, des monuments comme Auguste Rodin, Edvard Munch ou Pierre Bonnard c\u00f4toient des g\u00e9ants de la litt\u00e9rature (Victor Hugo, grand dessinateur) ou de la musique (un dessin \u00e0 quatre mains de Chopin et Delacroix). Deux galeries belges<\/a> se distinguent. Celle de Ronny van de Velde<\/a> a longtemps \u00e9t\u00e9 un pilier de Knokke, avant d\u2019ouvrir un espace \u00e0 Anvers. Cette ann\u00e9e, Ronny et Jessy, revenus pour la premi\u00e8re fois depuis 2008 avec leur petit-fils, Henri Steenbeke<\/strong> (la rel\u00e8ve), exposent le futuriste anversois belge Jules Schmalzigaug, dont ils ont publi\u00e9 un somptueux catalogue raisonn\u00e9 en deux volumes chez Ludion. La s\u00e9millante Jessy appr\u00e9cie particuli\u00e8rement ce salon, o\u00f9 \u00ab il est moins question de march\u00e9 que de passion \u00bb. Et Patrick Lancz,<\/strong> un habitu\u00e9, se fie \u00ab au hasard \u00bb des d\u00e9couvertes : Spilliaert ou Craco, bien s\u00fbr, mais aussi le Bruxellois Walter Sauer, avec une Femme au voile \u00e0 damiers noirs et blanc<\/em>s qui attire plus d\u2019un regard.<\/p>\n

\"\"
Galerie Ronny Van de Velde \u00a9 DR<\/figcaption><\/figure>\n

Enfin, le Belge Gideon Kiefer sera peut-\u00eatre laur\u00e9at du 18e Prix de dessin d\u2019art contemporain de la Fondation Daniel et Florence Guerlain<\/a>.<\/p>\n

Quotidien espi\u00e8gle<\/h2>\n

Drawing Now<\/strong> r\u00e9unit 6 autres galeries belges<\/strong>. Chez Husk Gallery<\/a>, Peter Depelchin<\/strong>, devenu newyorkais depuis que son \u00e9pouse arch\u00e9ologue a int\u00e9gr\u00e9 le MoMA, a vendu tous ses petits dessins \u00ab inspir\u00e9s par les feuilles mortes sur l\u2019asphalte newyorkais \u00bb.
\nAlexis Rastel<\/strong> a ouvert Archiraar<\/a> \u00e0 Bruxelles en 2012. Il regrette la d\u00e9cision de la F\u00e9d\u00e9ration Wallonie Bruxelles, en 2024, de supprimer l\u2019aide aux entreprises participant \u00e0 des foires \u00e9trang\u00e8res (jusqu\u2019\u00e0 15 000 euros annuels), et les menaces sur la TVA r\u00e9duite des \u0153uvres d\u2019art<\/strong>, ce qui nuira aux Belges. Sur son stand, il associe la Fran\u00e7aise bruxelloise M\u00e9lanie Berger \u00e0 trois dessins du Bolognais Enne Boi (\u00e9galement street artist sous le pseudo de Cane Morto) intitul\u00e9s Rebus, o\u00f9 il reconstitue sa chute d\u2019une falaise, dont il ne conserve aucun souvenir.<\/p>\n

\"\"
Galerie Nathalie Obadia \u00a9 DR<\/figcaption><\/figure>\n

L\u2019Italienne Rina Zavagl<\/strong> a ouvert sa seconde Galerie Martel<\/a> (apr\u00e8s Paris) chauss\u00e9e d\u2019Ixelles en novembre 2024. Elle expose le 9e art, notamment les dessins mixtes (aquarelle et mine) de Pablo Auladell, Catalan d\u2019Alicante, r\u00e9miniscence de Delvaux. Sophie Kuijken, native de Bruges, propose ses portraits sur pl\u00e2tre faussement normaux chez Nathalie Obadia<\/strong><\/a>, et Ir\u00e8ne Laub<\/strong><\/a> pr\u00e9sente les visions d\u2019un quotidien espi\u00e8gle du Belge Bernard Villers, n\u00e9 en 1939, et les \u00ab exp\u00e9rimentations m\u00e9ditatives \u00bb de l\u2019Islandaise bruxelloise Gu\u00f0n\u00fd R\u00f3sa Ingimarsd\u00f3ttir.<\/p>\n

www.salondudessin.com<\/a>
\nwww.drawingnowparis.com<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

\u00c0 Paris, les Belges de Bruxelles, Anvers et Li\u00e8ge se distinguent au Salon du Dessin et \u00e0 Drawing Now. Huit galeries belges exposent au Salon du Dessin, dans l\u2019ancienne bourse de Paris, au Palais Brongniart, et au Carreau du Temple, pour Drawing Now, salon contemporain. Dans le premier, des monuments comme Auguste Rodin, Edvard Munch […]<\/p>\n","protected":false},"author":27,"featured_media":9470,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":""},"categories":[1],"tags":[],"class_list":{"0":"post-9465","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-actualite"},"acf":[],"_yoast_wpseo_title":null,"_yoast_wpseo_metadesc":"\u00c0 Paris, les Belges de Bruxelles, Anvers et Li\u00e8ge se distinguent au Salon du Dessin et \u00e0 Drawing Now.","auteur_traducteur":"","yoast_head":"\nLa Belgique se dessine \u00e0 Paris | Forbes Belgique<\/title>\n<meta name=\"description\" content=\"\u00c0 Paris, les Belges de Bruxelles, Anvers et Li\u00e8ge se distinguent au Salon du Dessin et \u00e0 Drawing Now.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, 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R\u00e9dacteur en chef pendant 7 ans de la revue Pouvoirs Locaux, consacr\u00e9e aux politiques culturelles, il a publi\u00e9 huit ouvrages chez des \u00e9diteurs fran\u00e7ais et belges, dont deux romans, un essai consacr\u00e9 \u00e0 Orson Welles, et quatre livres d\u2019art. En plus de Forbes, il collabore \u00e0 L\u2019Echo et au Quotidien de l\u2019Art (Paris).","url":"https:\/\/www.forbes.be\/fr\/author\/johan-frederik-hel-guedj\/"}]}},"_links":{"self":[{"href":"https:\/\/www.forbes.be\/fr\/wp-json\/wp\/v2\/posts\/9465","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.forbes.be\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.forbes.be\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.forbes.be\/fr\/wp-json\/wp\/v2\/users\/27"}],"replies":[{"embeddable":true,"href":"https:\/\/www.forbes.be\/fr\/wp-json\/wp\/v2\/comments?post=9465"}],"version-history":[{"count":3,"href":"https:\/\/www.forbes.be\/fr\/wp-json\/wp\/v2\/posts\/9465\/revisions"}],"predecessor-version":[{"id":9497,"href":"https:\/\/www.forbes.be\/fr\/wp-json\/wp\/v2\/posts\/9465\/revisions\/9497"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.forbes.be\/fr\/wp-json\/wp\/v2\/media\/9470"}],"wp:attachment":[{"href":"https:\/\/www.forbes.be\/fr\/wp-json\/wp\/v2\/media?parent=9465"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.forbes.be\/fr\/wp-json\/wp\/v2\/categories?post=9465"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.forbes.be\/fr\/wp-json\/wp\/v2\/tags?post=9465"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}